Jacob Ganz
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Listen The Magnetic Fields' 50 Song Memoir, Stephin Merritt's autobiography in song — one track for each year of his life.
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The biggest surprise of the 2017 Grammy Awards was Adele's surprise win over Beyonce for album of the year. NPR's Kelly McEvers talks to music editor Jacob Ganz about music's big night.
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"Is it human to adore life?" asks Jehnny Beth on a song that stretches out the London quartet's tightly-wound, pummeling attack, letting doubt and glory creep into the space left behind.
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Careful displays of sophisticated musicality sit next to wobbling, monstrous sounds on the band's new album of instrumental broken-robot rock.
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Whether you use it as a balm or an echo chamber for your despair, Ware's second album is a celebration of gloriously messy feelings, each tamed by her soft touch.
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After two solid albums, Too Bright is something shockingly new for Perfume Genius: a set of muscular, magnificently controlled songs that explore darkness inside and out.
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All over its darkly shimmering second album, the band showcases a remarkable ability to pull listeners' strings. Hundred Waters' members make music to burrow deep into, to obsess over.
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Nothing on Metamodern sounds forced; Simpson has perfected the trick of distilling classic country from many eras and moving away from it at the same time.
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Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.
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Call it diversity or a lack of consensus, but no single act dominated this year's awards. Instead, the Grammys spread the love, though rock bands — including The Black Keys and fun. — fared well.