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  • A solo singer, go-to collaborator and member of the Pistol Annies, Monroe is a star who's both arrived and rising: accepted by insiders without losing her veneer of outsider cool.
  • The gospel-punk band's self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher's guttural howls.
  • Listen to Sam Beam cover a deep Seventies Neil Young cut on the latest volume of his Archive Series.
  • "Throw Your Hands Up" is a rousing jock-jam designed to get the blood pumping. Over a dramatic bass line, high-register synths and a blitzkrieg of record-scratching, Freeway announces that he and Jake One are here to rock listeners in an old-school way.
  • A new compilation lets Latin Alternative artists (including Los Lobos, Ozomatli, Los Lonely Boys, La Marisoul, Juan Gabriel and more) transform and reimagine CCR's formidable catalog.
  • These are songs by and for feel-big dreamers, performed with a gift for weapons-grade ingratiation by a pair of born crowd-pleasers.
  • Rooted in early-20th-century blues and jazz, "lipstickandchrome" is freshened up with modern sass.
  • Gallagher's feuds with his brother and band mate Liam were as famous as the music they made together. Three years after Oasis' split, the guitarist and songwriter has re-emerged under the name Noel Gallagher's High Flying Birds.
  • Those Darlins hooked up at the Southern Girls Rock 'n' Roll Camp, which bassist Kelley Darlin founded in 2003. Critic Robert Christgau is glad to see the band finally playing rock, as well.
  • On her latest album, the Nashville singer-songwriter tells compelling stories from the inside out.
  • A marvel of economy and concision, "Dead Oaks" sums up a relationship without wasting a breath.
  • "Any Other Day," from Woods' new Sun and Shade, is a brief but appealingly off-kilter two-minute concoction.
  • Title Fight hits the sweet spot between the heartfelt pop-punk and melodic post-hardcore, but keeps its ear open to unexpected pop sources like Sonic Youth.
  • On her latest record, the Detroit-born singer teams up with songwriting veteran Brian Holland to pay tribute to the Motown sound.
  • Josh Norek and Abraham Velez of Hip Hop Hoodios talk to host Michel Martin about their latest CD, Carne Masada: Quite Possibly the Very Best of Hip Hop Hoodios. The two discuss the way they mix Jewish and Latin sounds with cultural commentary and a healthy dose of humor.
  • Susan Werner has done alternative folk, original American songbook material, and gospel for agnostics. And for her latest effort, she's picked a handful of '60s and '70s pop hits, and arranged string and woodwind backings for them.
  • A new Johnny Cash album, American Recordings VI: Ain't No Grave was released this week to coincide with what would have been Cash's 78th birthday. We remember the singer, songwriter and guitarist, who wrote more than 1,500 songs — and performed from the 1950s until just before his death in 2003.
  • Bob Boilen and Robin Hilton are joined by Ann Powers and Stephen Thompson for a special edition of All Songs Considered that brings together the themes of the year.
  • Guitarist Laurent Brancowitz and singer Thomas Mars talk about how the band was able to make uplifting music at a time when their native Paris has seen horrific terror attacks.
  • The percussionist and bandleader, who died in 1983, played a significant role in Latin jazz history. A new album of recently recovered music is cause for revisiting his legacy.
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